New graphic novel competitions

My publisher, Myriad Editions, has just announced its third First Graphic Novel Competition. I entered their inaugural FGNC in 2011/12 with work-in-progress from my graphic memoir The Facts of Life. Incredibly, I reached the shortlist, and eventually the book was published by Myriad in March, earlier this year. If you have a graphic novel in progress, it’s a veritable no-brainer to enter this competition! Here’s a page from my original entry: The style is slightly different, and this one didn’t make it through the edit. It’s about a little dare that happened at school. One can feel trepidatious about exposing oneself (and one’s work), but, believe me when I say it won’t be as bad as what happened in this incident… Do read on to find out what led me to enter the competition…

I started my book idea over ten years ago. However, I stalled on starting it properly for a few years for various good reasons but also for a bad reason. The bad reason was that I’d been to a large comics convention in the mid-00s and had felt somewhat out of place – too old and too female. I left feeling despondent – would there be much of an audience for my subject matter (childlessness and the circumstances that led to that)? It was a case of not seeing similar creators to myself represented in that environment, and feeling that myself and my work did not belong there as a result. A paucity of diversity, perhaps, especially in terms of gender, that I still see replicated to this day. This situation can be disabling for people’s enthusiasm, confidence, and ultimately their careers.

Enter Laydeez do Comics! Laydeez do Comics have also announced a fabulous women-only graphic novel competition for work in progress. They are currently crowdfunding for it here, so do consider supporting this important new writing prize for women, for reasons set out here.

I discovered Laydeez do Comics in 2009 and eventually plucked up courage to attend in 2010. That night, Nicola Streeten invited me to come along at a later date to talk about my work in progress. No way, I thought, but nevertheless I found myself in front of a lovely supportive Laydeez audience a few months later. It was when I spoke about my work there in 2011 that I first heard of Myriad Editions and the FGNC. Myriad is run by women and they publish many graphic novels by women. Going to Laydeez do Comics was a revelation in that I’d found plenty of other women making comics about all manner of autobiographical things, so I realised there might actually be a readership for what I wanted to write about. I was thus stricken by an overwhelming urgent imperative to write my book, so I entered Myriad’s FGNC with 15 pages of my WIP. Doing so gave me a deadline and thus a reason to focus intently on the project. It was also a horrifying reality check about what a huge undertaking this would be – but it felt very good to finally start properly. Starting is often the hardest part.

Being shortlisted in the competition contributed immensely to my self-confidence and feeling that I was creating work that people would be interested in reading. Entering the competition was the single most important thing I did towards getting this book published, not only because Myriad eventually became my publisher, but also because it was the catalyst that gave me momentum to keep turning up at the page. I daren’t even think about where I’d be now if I hadn’t done so. Although this is not the first book I’ve had published as an author, it was my first graphic novel, and having my book published has led to career opportunities I would not otherwise have had.

My advice is to turn up at the page a lot sooner than I did, and you have nothing to lose by entering. Potentially you could have much to gain, even if you don’t reach any lists. Make sure you’re not one those who didn’t go through with it: Go on – I dare you!

Both Laydeez and Myriad Editions have been very supportive in my comics career.

 

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The Facts of Life news

After working on The Facts of Life over six or more years, if feels so good to say that it’s an actual book now and I’ve held it in my hands!

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I’ve also pleased to announce that, in a deal negotiated by Louisa Pritchard Associates, Myriad Editions have sold the N American rights for The Facts of Life to Penn State University Press, and I’m excited that it will be joining their Graphic Medicine series. I’ve long been a fan of Graphic Medicine and I’ve spoken about this work at three of their events and conferences since 2011. It feels like the right home for my book over the pond. It will be published there around the same time as MK Czerwiec’s (aka Comic Nurse) book Taking Turns. I met MK at a Graphic Medicine event that was part of 2011 Comics Forum in Leeds, and we’ve had a similar timeline to publication over the past few years. I’m very much looking forward to reading this book, which is a memoir about her time working as a nurse in a HIV/AIDS unit in the 1980s. Other excellent books that I’ve read from the series include The Bad Doctor by Ian Williams, Hole in the Heart by Henny Beaumont, and Things to Do in a Retirement Home Trailer Park by Aneurin Wright, all of which were first published by Myriad Editions in the UK, so PSUP already feels like home!

In other good news, I’m delighted that my book is currently Editor’s Choice in The Bookseller for Biography/ Memoir. I’ll keep you up to speed next year with news about events I’ll be attending and at which I’ll be speaking about the book. All the very best for the festive season and wishing you health and happiness in 2017!

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The Facts of Life will be published by Myriad Editions and Penn state University Press in March 2017.

FINISHED! Graphic memoir update

FINISHED! Work on my graphic memoir, The Facts of Life, is now complete, and the file is in the safe hands of my editor, Corinne Pearlman of Myriad Editions. She has been finalising work on the book jacket and getting it all ready for printing. The book will be published by Myriad Editions on March 16th 2017. I’m very excited about jacket quotes and reviews that I’ve had so far – from some excellent authors whom I’ve admired for many years! It’s six years since I started work on this book, and ten years since I first had the idea, so it feels incredible to have finished at last.

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There has been much toing and froing in recent weeks with the copy-edit, book jacket, and mysterious missing speech bubbles, which had fallen foul of the digital ether (i.e. mistakenly overwritten files that InDesign had a dizzy spell over in the final package). Such a huge learning curve! That packaged ID file was a hefty lump of over 4GB of data.

I’ve mentioned my health issues here before. I could not have completed this work without the help of my husband John Austin, who did the majority of my scanning and digital tidying. Computer work (any work) can leave my arm muscles very sore, so this meant that arm energy could be used solely for completing the hand-rendered artwork. I’m extremely grateful for his help, otherwise it might have taken another year, and I was already pushing myself to get things finished as it was.

I’m also grateful to one or two friends who’ve taken the time to read it and put my mind at rest about general brow-furrowing I’ve developed since the realisation of it being real!COVER_Couple_ChartBlueBG_redcrosses_darkerchart

I feel honoured that my book will be joining the Myriad stable of graphic novelists, which houses many books that I admire – some written by people who have become friends and/or supportive colleagues. I’m looking forward to taking it out into the world and crossing paths more often with these talented folk.

In the meantime, I’m having some time off to rest properly, and to catch up with friends. I’ll also be starting HBOT treatment soon, which I hope will help my ME/ Fibromyalgia symptoms. Some people have had good results, and I’ve wanted to try it for some time, but it requires a whole month of daily treatment. I’m hoping to do a HBOT diary with drawings and notes, but I’ll have to see how it goes, and whether it will be possible to draw while tooled up in an oxygen chamber with others who might not want to be drawn!

For more regular updates from my studio, please follow my Instagram account: @paulajkstudio

Fun Fun Funding

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I’m happy to announce that in March of this year, Arts Council England awarded me a grant (Grants for the Arts) to support the completion stage of my graphic memoir, The Facts of Life, which will be published by Myriad Editions.

The grant will provide funding for the artwork stage of my book: It will cover materials I need to carry out the final artwork, a mentor for the duration (Hannah Berry), frames for an exhibition, and attendance at some comics events after the book is published. It also means that I can now set aside other freelance work and focus solely on the book for the next year. I feel very grateful, and fortunate to be doing this work.

Today is the start of my grant period – in celebration of this, here is an almost-complete page (it needs some more seagulls in panel three!) My sketchbooks from the last ten years are coming in handy now – the people on the beach are lifted from them – some from sketches I did on the very beach that this page depicts! Two-hundred-and-twenty more pages to go:

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Thanks to the following people for their statements of support for my application, sage nuggets of advice, and support in kind: Corinne Pearlman, Hannah Berry, Bryan TalbotDavid Gaffney, Matthew Roche, Katy GreenRavi Thornton, Nicola Streeten; and John Austin.

 

Comics from Brighton and Bristol to the Lakes!

A long-overdue catch-up post:

Upcoming comics events

Next weekend, I’ll be tabling at Bristol Comic and Zine Fair, organised by the lovely folk from Bearpit Zines. There are 40 exhibitors – some from Bristol; some from beyond – it promises to be a fantastic day. I’m especially excited to see that Gareth Brookes will be there with his graphic novel The Black Project out from Myriad Editions (my publisher-to-be). I’ll certainly be buying a copy. Gareth was the winner of Myriad’s First Graphic Novel competition in which I was shortlisted with The Facts of Life.

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Then, on 18th October, I’m off to the inaugural Lakes International Comic Art Festival where I’ll have a table in the Comics Clock Tower sharing with Ian Williams (Graphic Medicine man). On the Saturday night I’m taking part in Quick Strips – Myriad Authors and Friends, where it is suggested that we will be ‘revealing all’. I’m hoping that this means a 6-minute presentation of work in progress! It will be my first time as a guest at a comics festival.

I’ll be taking Spooky Womb, X Utero, and a newly repackaged non-limited edition version of A Fray, along with some pages in progress from my book. If you can’t make it to these events, my latest comic X Utero is available in Blackwell’s at Wellcome bookshop and Orbital Comics. Or you can buy them direct from me.

Ethics Under Cover – Graphic Medicine conference

In July, I went to Brighton to present at Ethics Under Cover, Comics Medicine and Society (Graphic Medicine) on the panel Whose story is it? with Mita Mahato, Peaco Todd and Linda Raphael. I talked about the ethical considerations of secondary characters when writing memoir – especially if their stories also contain medical details. I felt that it went well personally (I sold all my comics) and our panel was well received. Podcasts from the conference are regularly uploaded here. It was lovely to catch up with old and new Graphic Medicine comics friends and spend time eating samosas(c/o Mita) on Brighton beach.

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In other news

As a result of contacts made at the Brighton conference, I was approached with an offer of some paid comics work, which I did over the summer. I can’t say much about it yet for confidentiality reasons, but I was happy to have been able to use my artistic skills in a way that might be useful to others in a healthcare setting.

I’ve also just received a contract for a new children’s picture book text (as author only). I wrote it earlier in the year and Bright Literary Agency have been representing it since May – so I’m please to have had this interest so soon.

I expect that’s just about enough for now – phew – worralorralinks!

A finalist’s front-row view – Judging a Graphic Novel

Last weekend I attended the First Fictions Festival in Brighton for the ‘Judging a Graphic Novel’ event in which I was a finalist. The judging panel consisted of Ian Rankin, Hannah Berry, Bryan Talbot, Corinne Pearlman (Myriad Editions), Ed Hillyer and Steve Bell (Guardian cartoonist), who was away on holiday. Gareth Brookes’ The Black Project won – a deserving winner. I love the look of embroidery used in such an innovative way, and the story is original too.

The week or so before the event, Corinne Pearlman asked if we would be willing to read some pages from our entries, and a couple of days beforehand we discovered that we would also take questions from the panel of judges… in front of a paying audience. The pressure was on!

Paul Gravett, who was sporting a rather fetching yellow comic-themed shirt, chaired the event. Us finalists had to sit on the front row of the lecture theatre within spitting distance of the judges. We didn’t spit on them, nor they on us, but I could see the very whites of their eyes and they could probably smell our fear. It was quite nerve-wracking but exciting.

It was good to meet the other finalists and to hear more about their book proposals: Tom Eglington, Hannah Eaton, Dylan Shipley & Adam Blackman, and Con Chrysoulis. My friend, Thom Ferrier, was also a finalist so I was already acquainted with his work. It was a shame that Gareth Brookes couldn’t make it, being on a different hemisphere, but he’d sent a representative to read his entry. I sat between the two T/homs and introduced myself to Tom Eglington by asking if he’d drawn his plane crash page from life… ah well.

The judges suggested that all of the shortlisted entries were publishable and they stressed what a gargantuan task they had in whittling things down to a longlist, let alone a shortlist or winner. Each judge had slightly different concerns: Ed Hillyer was interested in whether the text was physically readable; Ian Rankin was searching for a satisfactory narrative; Corinne Pearlman didn’t want anything too set in stone; and Steve Bell was checking if artists could draw – hands in particular.

My presentation seemed to garner a good response – the audience laughed in all the right places and it was rewarding to experience that. It was a chance for me to show that I intend part of my book to include elements of humour despite tackling a tricky subject matter. I was happy to discover that my attempts at humour so far (apart from what I said to Tom) aren’t in vain. So, it was a worthwhile exercise in that respect – thank you, kind audience!

I took along How a Baby is Made, the book I cite in my story, The Facts of Life, and the one that taught me all the mechanics! It was great to find that one of the event’s sponsors used to be a bookseller who stocked that very title. Julia Cameron (The Artist’s Way) might call this ‘synchronicity’.

We enjoyed a much welcome post-event glass of fizz, and apple tart served on First Fictions flyers in absence of plates – novel! Later, I also attended Bryan and Mary Talbot’s talk about their soon-to-be-launched collaboration, Dotter of Her Father’s Eyes.

All in all, the whole experience has been positive: I came away from the weekend with greater confidence in my work, feeling galvanized to further develop it. I’m sure the other finalists will agree that writing and drawing a graphic novel is a task which requires much time and dedication; I hope they all feel that it’s worth it because I can’t wait to read their books when they come to fruition.

First Fictions/ Myriad Editions First Graphic Novel Competition Shortlist

Panel from The Facts of Life

The shortlist for Myriad Editions’ First Graphic Novel Competition was announced on Monday. I’m over the moon to be able to say that I’m one of the seven shortlisted entries with my graphic memoir-in-progress The Facts of Life. I’m in good company too, along with friend and comics creator Thom Ferrier, whose entry The Enlightenment of Iwan James is also shortlisted.

There were over 70 entries judged by Bryan Talbot, Ian Rankin, Steve Bell, Ed Hillyer, Hannah Berry and Corinne Pearlman.

The winning graphic novel will be announced on 21st Jan 2012 at the First Fictions Festival in Brighton.