Ten year comicsiversary!

It’s ten years since I drew How a Baby is Made, a short strip which was to be the genesis for my recently published graphic memoir The Facts of Life. I entered it to the very first Observer Graphic Short Story Prize, even thought I knew it was probably going to be a much longer story (240pp, as it turned out!) I didn’t get anywhere with that, but, never mind, I eventually reached the shortlist of Myriad Editions’ First Graphic Novel Competition in 2012, and, they published my book. It is also published in N America by Penn State University Press as part of their Graphic Medicine series.

At the time I started it, I’d had two early miscarriages, and the reality was beginning to dawn that we might never have children. I began to reflect on life’s expectations and where they had come from – social priming, family, education and politics etc. I began keeping a card file of memories stretching back to childhood. I’d also become obsessed with graphic novels and gobbled up Marjane Satrapi’s Persepolis, Jefferey Brown’s back-catalogue – and Maus by Art Spiegelman. I was an illustrator – I could make autobiographical comics, too! This unavoidable urge to draw about my looming personal situation and its societal background would not go away.

It was the first time I turned to drawing as a means of exploring and expressing hurt and complicated emotions. As I pointed out at my book launch, if someone had told me the project would not come to fruition for another ten years, I’m might not have believed them, and, if I had, I’m not sure I would have had the wherewithal to continue. As it turned out, I couldn’t do much more about it until 2010, because I was diagnosed with ME and had to cease work. The story wasn’t over until then, anyway, and it would have been a very different book if I’d carried on with it straight away. It was definitely better for having been put to one side for a few years: As is the case with some stories, it simply isn’t their time yet, and you fold them away at the back of the airing cupboard where they mature – at least until you shake out the moths which have left the holes in your story more clear to see.

Here is the strip I drew in 2007, plus a page from my book The Facts of Life.

 

Page from The Facts of Life, pub. Myriad Editions (UK) and Penn State University Press (N America), 2017

If you’ve read my book, you’ll see how different the drawing styles are from the original strip – another element that benefited from percolating. I wanted to move away from cute, and, if I was going to spend a few years working on something, it needed to be a style I was comfortable with and one that people familiar with the subject matter, but not necessarily with reading comics, could relate to. Many elements from this strip remain in the book, such as our Sindy dolls enjoying relations under the bed, and the whole sorry sandpit debacle.

I’d like to say here’s to another ten years, but, since my book came out I’ve had a bad ME/ Fibromyalgia relapse which left me bed-bound at first, and I’ve been unable to draw without considerable pain. Once again, many ideas have been consigned to the great airing cupboard in my mind (and a few sketchbooks), so let’s hope there comes a time when I can unearth them and get back to the only work I love. Let’s also hope for a cure for the chronic illnesses ME and Fibromyalgia, which wreck so many lives.

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The Facts of Life news

After working on The Facts of Life over six or more years, if feels so good to say that it’s an actual book now and I’ve held it in my hands!

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I’ve also pleased to announce that, in a deal negotiated by Louisa Pritchard Associates, Myriad Editions have sold the N American rights for The Facts of Life to Penn State University Press, and I’m excited that it will be joining their Graphic Medicine series. I’ve long been a fan of Graphic Medicine and I’ve spoken about this work at three of their events and conferences since 2011. It feels like the right home for my book over the pond. It will be published there around the same time as MK Czerwiec’s (aka Comic Nurse) book Taking Turns. I met MK at a Graphic Medicine event that was part of 2011 Comics Forum in Leeds, and we’ve had a similar timeline to publication over the past few years. I’m very much looking forward to reading this book, which is a memoir about her time working as a nurse in a HIV/AIDS unit in the 1980s. Other excellent books that I’ve read from the series include The Bad Doctor by Ian Williams, Hole in the Heart by Henny Beaumont, and Things to Do in a Retirement Home Trailer Park by Aneurin Wright, all of which were first published by Myriad Editions in the UK, so PSUP already feels like home!

In other good news, I’m delighted that my book is currently Editor’s Choice in The Bookseller for Biography/ Memoir. I’ll keep you up to speed next year with news about events I’ll be attending and at which I’ll be speaking about the book. All the very best for the festive season and wishing you health and happiness in 2017!

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The Facts of Life will be published by Myriad Editions and Penn state University Press in March 2017.

FINISHED! Graphic memoir update

FINISHED! Work on my graphic memoir, The Facts of Life, is now complete, and the file is in the safe hands of my editor, Corinne Pearlman of Myriad Editions. She has been finalising work on the book jacket and getting it all ready for printing. The book will be published by Myriad Editions on March 16th 2017. I’m very excited about jacket quotes and reviews that I’ve had so far – from some excellent authors whom I’ve admired for many years! It’s six years since I started work on this book, and ten years since I first had the idea, so it feels incredible to have finished at last.

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There has been much toing and froing in recent weeks with the copy-edit, book jacket, and mysterious missing speech bubbles, which had fallen foul of the digital ether (i.e. mistakenly overwritten files that InDesign had a dizzy spell over in the final package). Such a huge learning curve! That packaged ID file was a hefty lump of over 4GB of data.

I’ve mentioned my health issues here before. I could not have completed this work without the help of my husband John Austin, who did the majority of my scanning and digital tidying. Computer work (any work) can leave my arm muscles very sore, so this meant that arm energy could be used solely for completing the hand-rendered artwork. I’m extremely grateful for his help, otherwise it might have taken another year, and I was already pushing myself to get things finished as it was.

I’m also grateful to one or two friends who’ve taken the time to read it and put my mind at rest about general brow-furrowing I’ve developed since the realisation of it being real!COVER_Couple_ChartBlueBG_redcrosses_darkerchart

I feel honoured that my book will be joining the Myriad stable of graphic novelists, which houses many books that I admire – some written by people who have become friends and/or supportive colleagues. I’m looking forward to taking it out into the world and crossing paths more often with these talented folk.

In the meantime, I’m having some time off to rest properly, and to catch up with friends. I’ll also be starting HBOT treatment soon, which I hope will help my ME/ Fibromyalgia symptoms. Some people have had good results, and I’ve wanted to try it for some time, but it requires a whole month of daily treatment. I’m hoping to do a HBOT diary with drawings and notes, but I’ll have to see how it goes, and whether it will be possible to draw while tooled up in an oxygen chamber with others who might not want to be drawn!

For more regular updates from my studio, please follow my Instagram account: @paulajkstudio

Graphic novel progress

Here’s a timeline and brief diary for my graphic novel, The Facts of Life, to date. It’s been a case of ‘comics interruptus’ so far for all sorts of reasons, but it’s gathering speed now and I’m ‘in the zone’:

2006: After reading Persepolis by Marjane Satrapi, I realise that it’s possible to be a middle-aged woman writing memoir using the medium of comics. Can I play, too? Seeds of idea for a autobiographical graphic novel germinate. Start an alphabetical card file of memories. I begin to sketch memories and draw my first comic strip How a Baby is Made. Tentatively show one or two amenable friends who emit positive noises and suggest I go for it. I go to a comics convention for the first time but feel that neither myself nor my story fits somehow, and leave discouraged. (It would be a long time until I discover the the indie self-publishing scene).

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2007:  I enter How a Baby is Made to the first Observer Graphic Short Story prize – but it’s not really a short story. Join Deviant Art as ‘Missnibs’ and post strip there – but I’m not yet au fait with social networking and don’t get very far.

How a Baby is Made 1

How a Baby is Made 1

2007/8: Submit idea to a new comics publisher – initial interest and very encouraging but nothing solid. My proposal is still a little under-cooked. And so am I.

2008-10: Hiatus – all will become clear in book! Discover Laydeez do Comics.

2010: Timeline of memoir ends so ready to start writing – theme of story has changed somewhat due to life events! I go to Laydeez do Comics for the first time and feel more encouraged that there might be a readership for my story. I start to transfer the card file entries to colour-coded post-its, which stay on the wall for over two years until the glue goes crispy and they start to drop off. I use these headings to start writing scenes in words. Join Twitter as a proofreader (my other work) but end up using it to meet comics people instead, thus discovering Graphic Medicine. Further enthused. Sadly, I don’t attend the very first Graphic Medicine conference because I mistakenly think it’s for academics and medics only.

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2011: Get going! Background research and much reading. Enter 17 pages to Myriad Editions’ inaugural First Graphic Novel Competition. It’s good to have a goal. Air project in public for the first time at Laydeez do Comics in May (where I hear about the competition). Attend Arvon Foundation Graphic Novels course where I receive some welcome feedback and meet more lovely comics people – in full flow of quenching thirst from the overflowing cup of comics camaraderie at this point. In November I speak about my project at Comics Forum in Leeds at the Graphic Medicine day. It’s the first time I’ve spoken at an academic conference and it seems to be well received, although I’m extremely nervous. I’ve finally met ‘my people’, professionally speaking, this year! Trawl through old photos.p1_2010_gray

2012: Good news – reach shortlist of Myriad competition! It’s the first time I’ve got so far in any professional competition. Keep in touch with Myriad as project progresses. More research, reading, and story-boarding in between paid freelance work. Make my first self-published comic, Spooky Womb, to dip toe into water. I take it to autumn Comiket and it sells well. My first children’s books as author are published this year, too. A year of firsts.

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2013: More good news! Sign contract with Myriad Editions. Then follows another unfortunate 8-month hiatus. In summer, I speak at the 4th Comics and Medicine Conference in Brighton, which buoys me. Unearth old teenage diaries and letters. Start working on book again towards the end of the year, when I finish the artwork for my prologue.

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2014: Finish first draft of storyboards. Feeding of recycle bin with superfluous splurge. Successful application to Arts Council England for funding to complete my book. Re-read letter to make sure! They definitely said yes. Have a go at making a handwritten font for the lettering – aka a week of faffing resulting in alphabet spaghetti rather than beautiful lo-fi fontage plus sore knuckles from all the gnawing. Begin to make working drawings from the storyboards, which I transfer to Bristol Board for painting and inking. Fonts can wait until patience is restored.

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Onwards: Part three to jiggle,190ish pages of artwork and lettering to draw and complete, and the cover to design. Now working on it for six days a week stopping at eight o’clock most nights. I don’t get out much. I hope friends and family can bear with me for the confinement over the coming year. BBC Radios 4 and 6 are my friends now, plus garden snails and local cats at lunchtimes.

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Graphic Medicine podcast

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Photo by Ian Williams.

Last year, I presented my work at Ethics Under Cover: Comics, Medicine and Society (4th International Conference on Comics and Medicine). I spoke on a panel named ‘Who’s Story is it?’ alongside Peaco Todd, Linda Raphael and Mita Mahato. Here is a link to the podcast (mine is second on the recording): Graphic Medicine Podcast: Brighton Panel 4A

My talk was titled ‘In or Out: Considering the impact on others of writing and sharing graphic memoir’. I spoke about my work in progress in relation to the responsibility for secondary characters’ stories in memoir (those who have not asked to be in a book), especially where medical details are involved. I also spoke about my other comics about fertility, miscarriage and childlessness and the response to sharing that personal work on social networking sites between 2011 and 2013.

The conference provided a generous portion of brain food, and I heartily recommend creators with medical/ health themes to their work to attend, or propose a paper to, future conferences. Also, do check out the Graphic Medicine Podcast archive where you will find interviews and talks by many talented comics creators and academics whose work reflects the ‘interaction between the medium of comics and the discourse of healthcare.’ (Graphic Medicine website quote).

This panel took place first thing on a Sunday morning, so I’m sure those delegates who were still wisely tucked up in bed will welcome the chance to hear it. Although I’m still not sure how anyone ever sleeps in Brighton with those tireless over-enthusiastic seagulls.

Happysad memory comic

These pages are from a longer comic I made about my late father-in-law, Pete. I made it towards the end of 2011 when he left hospital to return home to be with his family in his final days after a long illness. The title refers to something later in the comic, but I won’t be sharing those pages yet (if ever) because it’s probably too soon.

These first pages are about my favourite memory of Pete. I’m not sure if I’ll ever finish the comic, but, at a difficult time, it felt cathartic to draw and it was my way of coping. Perhaps that’s enough and I’ll never feel the need to finish it. I wanted to share this, though, as my way of celebrating his life and what was an essential part of his character – humour. We laughed about this occasion for years afterwards and I prefer to remember this sort of thing rather than his illness.

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Panel two, page two, might worked better at a page turn – if I ever do finish it, I shall rectify that!

Fairy princess cushion

I’m putting together a sketchbook zine with small drawings and comics made in my local park. This took place in the park but I drew it from ‘memory’ back at home.

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I think we all have a Fairy Princess Cushion in our lives, don’t we?