The Inking Woman/ April news

My graphic memoir The Facts of Life was published last month in the UK by Myriad Editions, and in N America by Penn State University Press. I’m hugely pleased by how it has been received so far. I’ve had emails from strangers telling me how much it meant to them – how the themes reflected their own experience of trying for children, growing up in the 70s and 80s, living life without offspring, and, for others, how it has given them recourse to consider choices to come. It means such a lot to discover that my hopes and intentions for the book are being fulfilled and that it appears to speak to the people I’d hoped. I’m a great believer in the notion that once you create something for public consumption, and it’s out there in the world, it no longer wholly belongs to you: People are free to project what they wish onto the work and share their thoughts and responses whether positive or negative. Whatever is to come in that respect, I will just have to suck it up! Hopefully it will be palatable, though. 

I’ve had some great reviews and written a few interviews; including from Bristol 24/7 and Teddy Jamieson of the Herald, Glasgow. I also wrote an article for my childhood newspaper The Northern Echo, much to the pride of my parents! The Northern Echo is where I first read cartoon strips – Garfield, Peanuts, and Fred Basset, and the first part of the book is set in Darlington, where the newspaper is based.

I have a page from my book in The Inking Woman exhibition opening tomorrow at The Cartoon Museum in London. I’m proud it has been chosen alongside many of my contemporary inky women, and also those who have been cartooning and making comics for decades. Do go along to see it if you are in London!

The Facts of Life news

After working on The Facts of Life over six or more years, if feels so good to say that it’s an actual book now and I’ve held it in my hands!

20161219_131800

I’ve also pleased to announce that, in a deal negotiated by Louisa Pritchard Associates, Myriad Editions have sold the N American rights for The Facts of Life to Penn State University Press, and I’m excited that it will be joining their Graphic Medicine series. I’ve long been a fan of Graphic Medicine and I’ve spoken about this work at three of their events and conferences since 2011. It feels like the right home for my book over the pond. It will be published there around the same time as MK Czerwiec’s (aka Comic Nurse) book Taking Turns. I met MK at a Graphic Medicine event that was part of 2011 Comics Forum in Leeds, and we’ve had a similar timeline to publication over the past few years. I’m very much looking forward to reading this book, which is a memoir about her time working as a nurse in a HIV/AIDS unit in the 1980s. Other excellent books that I’ve read from the series include The Bad Doctor by Ian Williams, Hole in the Heart by Henny Beaumont, and Things to Do in a Retirement Home Trailer Park by Aneurin Wright, all of which were first published by Myriad Editions in the UK, so PSUP already feels like home!

In other good news, I’m delighted that my book is currently Editor’s Choice in The Bookseller for Biography/ Memoir. I’ll keep you up to speed next year with news about events I’ll be attending and at which I’ll be speaking about the book. All the very best for the festive season and wishing you health and happiness in 2017!

c0hdfqrweaappqu

The Facts of Life will be published by Myriad Editions and Penn state University Press in March 2017.

FINISHED! Graphic memoir update

FINISHED! Work on my graphic memoir, The Facts of Life, is now complete, and the file is in the safe hands of my editor, Corinne Pearlman of Myriad Editions. She has been finalising work on the book jacket and getting it all ready for printing. The book will be published by Myriad Editions on March 16th 2017. I’m very excited about jacket quotes and reviews that I’ve had so far – from some excellent authors whom I’ve admired for many years! It’s six years since I started work on this book, and ten years since I first had the idea, so it feels incredible to have finished at last.

13703097_1264425213589781_2009035357_n1

There has been much toing and froing in recent weeks with the copy-edit, book jacket, and mysterious missing speech bubbles, which had fallen foul of the digital ether (i.e. mistakenly overwritten files that InDesign had a dizzy spell over in the final package). Such a huge learning curve! That packaged ID file was a hefty lump of over 4GB of data.

I’ve mentioned my health issues here before. I could not have completed this work without the help of my husband John Austin, who did the majority of my scanning and digital tidying. Computer work (any work) can leave my arm muscles very sore, so this meant that arm energy could be used solely for completing the hand-rendered artwork. I’m extremely grateful for his help, otherwise it might have taken another year, and I was already pushing myself to get things finished as it was.

I’m also grateful to one or two friends who’ve taken the time to read it and put my mind at rest about general brow-furrowing I’ve developed since the realisation of it being real!COVER_Couple_ChartBlueBG_redcrosses_darkerchart

I feel honoured that my book will be joining the Myriad stable of graphic novelists, which houses many books that I admire – some written by people who have become friends and/or supportive colleagues. I’m looking forward to taking it out into the world and crossing paths more often with these talented folk.

In the meantime, I’m having some time off to rest properly, and to catch up with friends. I’ll also be starting HBOT treatment soon, which I hope will help my ME/ Fibromyalgia symptoms. Some people have had good results, and I’ve wanted to try it for some time, but it requires a whole month of daily treatment. I’m hoping to do a HBOT diary with drawings and notes, but I’ll have to see how it goes, and whether it will be possible to draw while tooled up in an oxygen chamber with others who might not want to be drawn!

For more regular updates from my studio, please follow my Instagram account: @paulajkstudio

Heredity

Here is a comic on the theme of heredity that I did a couple of years ago. It is part of my collection, X Utero (A Cluster of Comics) available from my shop, at Orbital Comics and Foyles in London.

It was a way to process the knowledge that, not having had children and not having siblings, family traits will die out with me. Quite an egotistical thing to be concerned with, really, but one that people who haven’t had children occasionally think about – possibly because they are glad or sad that they won’t be passing on their DNA! Rather than being too concerned about my own DNA coming to rest, I was more sad about the prospect of family photos becoming obsolete – so I made a comic with them for anyone who ‘cares to take a look’. It might have worked a little better if I’d been able to find a photo of my dad as a child wearing glasses!

And, this week, Andy Oliver has reviewed this comic along with my other comic of a graphic medicine flavour, Spooky Womb, in his Small Pressganged column on the comics news site Broken Frontier. You can read what he has to say here.

Heredity1_PaulaKnightHeredity2_PaulaKnight_webHeredity3_PaulaKnight

Graphic novel progress

Here’s a timeline and brief diary for my graphic novel, The Facts of Life, to date. It’s been a case of ‘comics interruptus’ so far for all sorts of reasons, but it’s gathering speed now and I’m ‘in the zone’:

2006: After reading Persepolis by Marjane Satrapi, I realise that it’s possible to be a middle-aged woman writing memoir using the medium of comics. Can I play, too? Seeds of idea for a autobiographical graphic novel germinate. Start an alphabetical card file of memories. I begin to sketch memories and draw my first comic strip How a Baby is Made. Tentatively show one or two amenable friends who emit positive noises and suggest I go for it. I go to a comics convention for the first time but feel that neither myself nor my story fits somehow, and leave discouraged. (It would be a long time until I discover the the indie self-publishing scene).

DSC07927

2007:  I enter How a Baby is Made to the first Observer Graphic Short Story prize – but it’s not really a short story. Join Deviant Art as ‘Missnibs’ and post strip there – but I’m not yet au fait with social networking and don’t get very far.

How a Baby is Made 1

How a Baby is Made 1

2007/8: Submit idea to a new comics publisher – initial interest and very encouraging but nothing solid. My proposal is still a little under-cooked. And so am I.

2008-10: Hiatus – all will become clear in book! Discover Laydeez do Comics.

2010: Timeline of memoir ends so ready to start writing – theme of story has changed somewhat due to life events! I go to Laydeez do Comics for the first time and feel more encouraged that there might be a readership for my story. I start to transfer the card file entries to colour-coded post-its, which stay on the wall for over two years until the glue goes crispy and they start to drop off. I use these headings to start writing scenes in words. Join Twitter as a proofreader (my other work) but end up using it to meet comics people instead, thus discovering Graphic Medicine. Further enthused. Sadly, I don’t attend the very first Graphic Medicine conference because I mistakenly think it’s for academics and medics only.

DSC06758

2011: Get going! Background research and much reading. Enter 17 pages to Myriad Editions’ inaugural First Graphic Novel Competition. It’s good to have a goal. Air project in public for the first time at Laydeez do Comics in May (where I hear about the competition). Attend Arvon Foundation Graphic Novels course where I receive some welcome feedback and meet more lovely comics people – in full flow of quenching thirst from the overflowing cup of comics camaraderie at this point. In November I speak about my project at Comics Forum in Leeds at the Graphic Medicine day. It’s the first time I’ve spoken at an academic conference and it seems to be well received, although I’m extremely nervous. I’ve finally met ‘my people’, professionally speaking, this year! Trawl through old photos.p1_2010_gray

2012: Good news – reach shortlist of Myriad competition! It’s the first time I’ve got so far in any professional competition. Keep in touch with Myriad as project progresses. More research, reading, and story-boarding in between paid freelance work. Make my first self-published comic, Spooky Womb, to dip toe into water. I take it to autumn Comiket and it sells well. My first children’s books as author are published this year, too. A year of firsts.

DSC04345

2013: More good news! Sign contract with Myriad Editions. Then follows another unfortunate 8-month hiatus. In summer, I speak at the 4th Comics and Medicine Conference in Brighton, which buoys me. Unearth old teenage diaries and letters. Start working on book again towards the end of the year, when I finish the artwork for my prologue.

Gn_panel_pjk

2014: Finish first draft of storyboards. Feeding of recycle bin with superfluous splurge. Successful application to Arts Council England for funding to complete my book. Re-read letter to make sure! They definitely said yes. Have a go at making a handwritten font for the lettering – aka a week of faffing resulting in alphabet spaghetti rather than beautiful lo-fi fontage plus sore knuckles from all the gnawing. Begin to make working drawings from the storyboards, which I transfer to Bristol Board for painting and inking. Fonts can wait until patience is restored.

working-drawingPART_02_0003_workingcopy-copy

Onwards: Part three to jiggle,190ish pages of artwork and lettering to draw and complete, and the cover to design. Now working on it for six days a week stopping at eight o’clock most nights. I don’t get out much. I hope friends and family can bear with me for the confinement over the coming year. BBC Radios 4 and 6 are my friends now, plus garden snails and local cats at lunchtimes.

DSC07909

 

Graphic Medicine podcast

mytalk_Comicsmedicine4_brighton _UniSussex.

Photo by Ian Williams.

Last year, I presented my work at Ethics Under Cover: Comics, Medicine and Society (4th International Conference on Comics and Medicine). I spoke on a panel named ‘Who’s Story is it?’ alongside Peaco Todd, Linda Raphael and Mita Mahato. Here is a link to the podcast (mine is second on the recording): Graphic Medicine Podcast: Brighton Panel 4A

My talk was titled ‘In or Out: Considering the impact on others of writing and sharing graphic memoir’. I spoke about my work in progress in relation to the responsibility for secondary characters’ stories in memoir (those who have not asked to be in a book), especially where medical details are involved. I also spoke about my other comics about fertility, miscarriage and childlessness and the response to sharing that personal work on social networking sites between 2011 and 2013.

The conference provided a generous portion of brain food, and I heartily recommend creators with medical/ health themes to their work to attend, or propose a paper to, future conferences. Also, do check out the Graphic Medicine Podcast archive where you will find interviews and talks by many talented comics creators and academics whose work reflects the ‘interaction between the medium of comics and the discourse of healthcare.’ (Graphic Medicine website quote).

This panel took place first thing on a Sunday morning, so I’m sure those delegates who were still wisely tucked up in bed will welcome the chance to hear it. Although I’m still not sure how anyone ever sleeps in Brighton with those tireless over-enthusiastic seagulls.

Fun Fun Funding

lottery_png_black1 (1)

I’m happy to announce that in March of this year, Arts Council England awarded me a grant (Grants for the Arts) to support the completion stage of my graphic memoir, The Facts of Life, which will be published by Myriad Editions.

The grant will provide funding for the artwork stage of my book: It will cover materials I need to carry out the final artwork, a mentor for the duration (Hannah Berry), frames for an exhibition, and attendance at some comics events after the book is published. It also means that I can now set aside other freelance work and focus solely on the book for the next year. I feel very grateful, and fortunate to be doing this work.

Today is the start of my grant period – in celebration of this, here is an almost-complete page (it needs some more seagulls in panel three!) My sketchbooks from the last ten years are coming in handy now – the people on the beach are lifted from them – some from sketches I did on the very beach that this page depicts! Two-hundred-and-twenty more pages to go:

FoL_Porthcurno

Thanks to the following people for their statements of support for my application, sage nuggets of advice, and support in kind: Corinne Pearlman, Hannah Berry, Bryan TalbotDavid Gaffney, Matthew Roche, Katy GreenRavi Thornton, Nicola Streeten; and John Austin.