It Takes Two to T’wit T’woo on CBeebies!

On Thursday I was very excited to discover that my children’s picture book It Takes Two to T’wit Twoo was read on the BBC children’s programme Cbeebies Bedtime Story, by Isla Fisher. It was a complete surprise – my cousin told me about it when she was watching with her daughter. It’s still available on iPlayer and you can see it here for the next 27 days. I love the way they’ve added sound effects and animated some of the illustrations (by Guiliano Ferri).

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The book was published in 2012 after being signed by Hinkler Books in 2010 for their Bonney Press series of picture books. It was the first time I’d been published as an author, and they signed two of my stories at once, the other being Robles’ Rain Dancewhich I’d written several years before.

The inspiration for the story came indirectly from another BBC programme  –Springwatch. Myself and a fellow bird-loving friend were discussing having seen an episode about how tawny owls call to one another. They explained that ‘t’wit t’woo’ is actually the sound of two separate owls, not one. On the way home, my husband and I were engaging in some motorway boredom banter, and I said: ‘It takes two to t’wit t’woo’, and the title had presented itself. I’m always on the lookout for potential titles, and many have come from daft casual conversations and a tendency to mess around with words.

The male owl in my book is called Albert, named after my grandfather who died when I was six. I don’t remember much about him other than that he always had a bad chest, and held the teapot very high when pouring a cup of Yorkshire tea. He came from Fulham, and rumour has it that he once played for Charlton Athletic. Football didn’t pay enough, so he became a heating engineer and moved to the Northeast where he met my gran at a Labour Party rally in Darlington. So, if you’re reading the book aloud, a cockney accent will do very nicely for the twoo-ing and a Teeside accent for the twit-ing.

Sadly, I’ve never heard ‘t’wit tw’oo’ all at once in the wild myself, mostly only a t’woo. That must have been an Albert searching for an Olive, who was too far away for me to hear.

Comics from Brighton and Bristol to the Lakes!

A long-overdue catch-up post:

Upcoming comics events

Next weekend, I’ll be tabling at Bristol Comic and Zine Fair, organised by the lovely folk from Bearpit Zines. There are 40 exhibitors – some from Bristol; some from beyond – it promises to be a fantastic day. I’m especially excited to see that Gareth Brookes will be there with his graphic novel The Black Project out from Myriad Editions (my publisher-to-be). I’ll certainly be buying a copy. Gareth was the winner of Myriad’s First Graphic Novel competition in which I was shortlisted with The Facts of Life.

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Then, on 18th October, I’m off to the inaugural Lakes International Comic Art Festival where I’ll have a table in the Comics Clock Tower sharing with Ian Williams (Graphic Medicine man). On the Saturday night I’m taking part in Quick Strips – Myriad Authors and Friends, where it is suggested that we will be ‘revealing all’. I’m hoping that this means a 6-minute presentation of work in progress! It will be my first time as a guest at a comics festival.

I’ll be taking Spooky Womb, X Utero, and a newly repackaged non-limited edition version of A Fray, along with some pages in progress from my book. If you can’t make it to these events, my latest comic X Utero is available in Blackwell’s at Wellcome bookshop and Orbital Comics. Or you can buy them direct from me.

Ethics Under Cover – Graphic Medicine conference

In July, I went to Brighton to present at Ethics Under Cover, Comics Medicine and Society (Graphic Medicine) on the panel Whose story is it? with Mita Mahato, Peaco Todd and Linda Raphael. I talked about the ethical considerations of secondary characters when writing memoir – especially if their stories also contain medical details. I felt that it went well personally (I sold all my comics) and our panel was well received. Podcasts from the conference are regularly uploaded here. It was lovely to catch up with old and new Graphic Medicine comics friends and spend time eating samosas(c/o Mita) on Brighton beach.

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In other news

As a result of contacts made at the Brighton conference, I was approached with an offer of some paid comics work, which I did over the summer. I can’t say much about it yet for confidentiality reasons, but I was happy to have been able to use my artistic skills in a way that might be useful to others in a healthcare setting.

I’ve also just received a contract for a new children’s picture book text (as author only). I wrote it earlier in the year and Bright Literary Agency have been representing it since May – so I’m please to have had this interest so soon.

I expect that’s just about enough for now – phew – worralorralinks!

New picture books!

I received the most exciting long-awaited parcel from my agent yesterday – my first two children’s picture books as author. I immediately made a cuppa and sat down to read them – twice – being very careful not to spill the cuppa! Although I’ve illustrated numerous children’s books over the years, this felt like an achievement because I’d been writing for eight years before I had any manuscripts accepted, signing the contracts almost 18 months ago. This isn’t an unusual scenario among children’s writers by any means.

The titles are by Australian publisher, Hinkler Books /Bonney Press (imprint):

Roble’s Rain Dance illustrated by Gavin Scott: A thirst-quenching quest in a drought-stricken desert. ‘Roble’ is a Somali name meaning ‘born during the rainy season’.

It Takes Two to T’wit Two illustrated by Guiliano Ferri: A lonely owl searches for a T’woo to complement her T’wit.

I’m thrilled with the illustrations – this is the first time I’ve seen them all together, although I saw some roughs for Roble’s Rain Dance earlier this year. My agent sent through one or two jpegs of finished artwork throughout the year and it was amazing to see the characters that I had written spring to life. This was especially fascinating for me, having been involved in the creative process of other books as a children’s illustrator myself. As in all children’s picture books, a good chunk of storytelling happens in the pictures rather than the text, so it was important for certain visual elements to be in the right place.

I’ll follow this up with an individual blog post for each title describing the inspiration behind the stories and perhaps one about the route I took to getting published.

I think they are listed on some Australian bookselling sites, and some Amazon sites (as ‘unavailable’ at present). I’m hoping to get hold of some copies to sell myself so watch this space…