The Facts of Life: playlist to the graphic novel

‘Break’: Early illustration work with a musical theme. Copyright Paula Knight, 1992

Music has always played an important part in my life. I learnt violin from the age of eight, and for most of my life until ME/CFS/Fibromyalgia stopped me, I was involved in music in some way – either in orchestras or indie bands. Over the years, playing music with others has provided me with lasting friendships, and even a husband. It was inevitable that any memoir I wrote would included music in some way – I’ve always been interested in its crossover with other art forms. In my early attempts at being an illustrator, I tried to find visual ways to combine music and art, but I always found it hard to represent one perfectly self-sufficient art form in another. In The Facts of Life, I used music in a far more literal way – to help describe the era; and to reflect the themes of the book by referencing popular culture that had informed my views in childhood.

I’ve made a page-by-page Youtube playlist of all the music references in my book. It’s not altogether accurately representative of my musical taste – some of the songs mentioned in the book are there because of how they influenced my delicate formative brain with regards to pregnancy, motherhood and child-rearing. Listen to the playlist HERE.

p95 The Facts of Life, by Paula Knight, Copyright 2016

Below are some expanded notes from the playlist with further explanations of the extra songs (19 onwards), because Youtube doesn’t allow unlimited words:

This is an annotated page-by-page guide of all the music references in my graphic novel/ memoir The Facts of Life. The book was published in March 2017 by Myriad Editions (UK) and Penn State University Press (N America). The playlist comprises songs that influenced me in my formative years, especially with regard to ideas about pregnancy and motherhood; and other songs I’ve collected that are significant to the themes and imagery of the book. Where a band rather than a specific song was mentioned, I’ve chosen one track by that band. One or two of them are bands I played in or to which I contributed music.

1. The Facts of Life Preview (Turnaround, book distributors)

2. The Beatles, Get Back

p14, This was No 1 when I was born (p15)

3. There Are Worse Things I Could Do – Grease, Rizzo

p27 A broken condom results in Rizzo’s pregnancy in Grease. A similar incident takes place elsewhere in the book… Incidentally, I discovered that the actress Stockard Channing does not have children.

4. The Specials, Too Much Too Young

p39 At age 9, I was rather intimidated by Terry Hall’s imposing image. Along with the lyrics, it somehow imprinted on my youthful brain that it was not a fabulous idea to get pregnant by accident when too young.

5. Adam & The Ants, Stand And Deliver

p41 Adam Ant was on the cover of the first Jackie magazine I had, and AatA are one of Jack’s favourite bands.

6. I’ve Never Been To Me, Charlene

pp47,48 This song is sufficiently saccharine to bring on a hyper, but I secretly liked it at age 13. The lyrics suggest that if you don’t have children you will end up lonely and regret it – perfect for my themes. I don’t agree with this notion, of course.

7. The Smiths, Reel Around the Fountain

p52 April is packing her LPs to go to Uni – The Smiths were her favourite band at that time.

8. New Order, Subculture

p54 Subculture poster in my college friend Sam’s bedroom. I used to listen to New Order solidly in 1989 driving to a holiday washing-up job at a hospital run by an order of monks in Scorton, N.Yorks.

9. Pixies, Allison

p54 Pixies poster in friend’s room. One of the girls in this panel is Alison, so this is for her!

10. Girlboy Girl, Unfamiliar

p57 This was my band Girlboy Girl in which I played bass and wrote songs in the late 90s/ 00s. The song (lyrics by R Taylor) is about family and belonging (or not), so a perfect fit for the themes of this book. We made this video with the artists John Wood and Paul Harrison who currently work at Spike Island studios in Bristol. I did some of the drawings for this. I still feel very proud of this video. It was made in 1998 for video, hence quality.

11. Lunchbox, Just Because

p57 Barely visible, but Rupert from Girlboy Girl is wearing a Lunchbox T-shirt on that page. They are a band we toured with around west coast USA in 2000 – lovely folks. Lunchbox are still playing and are situated in Oakland, CA.

12. Sigur Rós, Hoppípolla

pp95, 116 I was pregnant for the first time, but did not know it, when we went to see Sigur Ros in Liverpool. This song subsequently became famous as the theme for the BBC’s Planet Earth. I do love the track, but it reminds me of tricky times, and there was no escaping those BBC idents!

13. The Unthanks, Farewell Regality

p183 The Unthanks are one of my all-time favourite bands and one I often sang along to while making the book. Like me, they are also from Northeast England where part of the book is set. This is the song I’d like to be played at my funeral.

14. Prefab Sprout, Cowboy Dreams

p185 This Prefab Sprout joke has been deemed acceptable on the ‘Sprout’s Facebook fan-page. Paddy McAloon is also from Co. Durham, like me!

15. Beatnik Filmstars, Tearing Apart My World

p184 Another T-shirt ref on this page. Jack, from the book, played guitar in Beatnik Filmstars for many years, and I played violin for them on one of their five Peel Sessions. (We saw Lofty from Eastenders that day in Maida Vale Studios restaurant!) One of my all-time favourite bands; this is one of their best songs ever! I used to tour with them to do their merch in the 90s, and my band supported them on a European tour.

16. Roobarb and Custard, 1974 Roobarb and Custard ©1974-2012 A&BTV

p185 Also mentioned in this panel is Roobarb & Custard – one of the best 1970s cartoon theme tunes ever!

17. Girlboy Girl, Lightness And Weight

p192 I included some lyrics I’d written for my band on this page, because they were about oak trees and suffering from chronic fatigue (ME, as it later turned out). This is the original song that the lyrics are from. We recorded it for a cassette label called North of January in 2001 for a compilation: ‘Sweet Sweet Casio’ – the track had to feature a Casio keyboard.

18. The Lovely Basement, Mo Tucker

p210 This is a track by a band I joined in 2012 to play bass and violin. They’ve started playing live in Bristol recently – check them out – they’re really good! This was the song I enjoyed playing most with them. I had to leave the band because I had a graphic novel to finish (this one). I love this video because the imagery uses the elements – as I have in the imagery of my book.

19. Gillian Welch, The Way It Goes

This one reminds me of how friendships can change once people have children:
“That’s the way that it goes;
Everybody’s buying little baby clothes”

20. Jenny Lewis, Just One Of The Guys

For the lyrics: “I’m just another lady without a baby”. And I interpret ‘the little clock inside’ as the so-called biological clock.

21. Kirsty MacColl, A New England

I was 15 when this was in the charts, and I liked the edgy lyrics about girls at school already pushing prams, and the Pill. I took this as a warning.

22. Richard Hawley, Heart Of Oak

The humble oak plays an important part in the book. In the prologue, we are planting oak saplings, and the element wood is one of my visual themes.

23. Pale Saints, Babymaker

Well, for a start it’s called Babymaker, but it also seems to be about loss – and I love this band!

24. Foals, Albatross

In part 3 of the book there’s an albatross – it represents freedom from society’s pressures, and the element Air. And albatrosses are cool.

25. Dream Academy, Life in a Northern Town

Good song, but evokes a resigned teenage lassitude of being in limbo-land – of not yet being where you want to be. I grew up in a northern village.

26. Crescent, Impressions

Crescent’s video contains footage of the river that also appears on pp122-126 of my book; and the bridge on p157. These places used to be on my daily walking routes when we lived in that area. And I’d often bump into various musicians who have played in this band, who also lived in the area at the same time.

27. Iron and Wine, Swans And The Swimming

p126: Some young inexperienced swans attempt to build a nest on the same tidal river as above – the Avon New Cut

28. Wye Oak, Regret

p218 “But this is not a thing on which to dwell”. We only get one life, so there’s not much point in spending much of it on regret. And regret suggests there was a choice, which is not always the case in whether or not a person has children.

ps. This blog was inspired by our friend Jez Francis, who used to play bass in Beatnik Filmstars. He makes CDs and playlists for his family with written explanations about song choices. And, he and his wife Barb have a cameo in my book on p95 above – because we’ve been to many a gig with them.

 

Advertisements

The Inking Woman/ April news

My graphic memoir The Facts of Life was published last month in the UK by Myriad Editions, and in N America by Penn State University Press. I’m hugely pleased by how it has been received so far. I’ve had emails from strangers telling me how much it meant to them – how the themes reflected their own experience of trying for children, growing up in the 70s and 80s, living life without offspring, and, for others, how it has given them recourse to consider choices to come. It means such a lot to discover that my hopes and intentions for the book are being fulfilled and that it appears to speak to the people I’d hoped. I’m a great believer in the notion that once you create something for public consumption, and it’s out there in the world, it no longer wholly belongs to you: People are free to project what they wish onto the work and share their thoughts and responses whether positive or negative. Whatever is to come in that respect, I will just have to suck it up! Hopefully it will be palatable, though. 

I’ve had some great reviews and written a few interviews; including from Bristol 24/7 and Teddy Jamieson of the Herald, Glasgow. I also wrote an article for my childhood newspaper The Northern Echo, much to the pride of my parents! The Northern Echo is where I first read cartoon strips – Garfield, Peanuts, and Fred Basset, and the first part of the book is set in Darlington, where the newspaper is based.

I have a page from my book in The Inking Woman exhibition opening tomorrow at The Cartoon Museum in London. I’m proud it has been chosen alongside many of my contemporary inky women, and also those who have been cartooning and making comics for decades. Do go along to see it if you are in London!

It Takes Two to T’wit T’woo on CBeebies!

On Thursday I was very excited to discover that my children’s picture book It Takes Two to T’wit Twoo was read on the BBC children’s programme Cbeebies Bedtime Story, by Isla Fisher. It was a complete surprise – my cousin told me about it when she was watching with her daughter. It’s still available on iPlayer and you can see it here for the next 27 days. I love the way they’ve added sound effects and animated some of the illustrations (by Guiliano Ferri).

Twit_front_web

The book was published in 2012 after being signed by Hinkler Books in 2010 for their Bonney Press series of picture books. It was the first time I’d been published as an author, and they signed two of my stories at once, the other being Robles’ Rain Dancewhich I’d written several years before.

The inspiration for the story came indirectly from another BBC programme  –Springwatch. Myself and a fellow bird-loving friend were discussing having seen an episode about how tawny owls call to one another. They explained that ‘t’wit t’woo’ is actually the sound of two separate owls, not one. On the way home, my husband and I were engaging in some motorway boredom banter, and I said: ‘It takes two to t’wit t’woo’, and the title had presented itself. I’m always on the lookout for potential titles, and many have come from daft casual conversations and a tendency to mess around with words.

The male owl in my book is called Albert, named after my grandfather who died when I was six. I don’t remember much about him other than that he always had a bad chest, and held the teapot very high when pouring a cup of Yorkshire tea. He came from Fulham, and rumour has it that he once played for Charlton Athletic. Football didn’t pay enough, so he became a heating engineer and moved to the Northeast where he met my gran at a Labour Party rally in Darlington. So, if you’re reading the book aloud, a cockney accent will do very nicely for the twoo-ing and a Teeside accent for the twit-ing.

Sadly, I’ve never heard ‘t’wit tw’oo’ all at once in the wild myself, mostly only a t’woo. That must have been an Albert searching for an Olive, who was too far away for me to hear.

FINISHED! Graphic memoir update

FINISHED! Work on my graphic memoir, The Facts of Life, is now complete, and the file is in the safe hands of my editor, Corinne Pearlman of Myriad Editions. She has been finalising work on the book jacket and getting it all ready for printing. The book will be published by Myriad Editions on March 16th 2017. I’m very excited about jacket quotes and reviews that I’ve had so far – from some excellent authors whom I’ve admired for many years! It’s six years since I started work on this book, and ten years since I first had the idea, so it feels incredible to have finished at last.

13703097_1264425213589781_2009035357_n1

There has been much toing and froing in recent weeks with the copy-edit, book jacket, and mysterious missing speech bubbles, which had fallen foul of the digital ether (i.e. mistakenly overwritten files that InDesign had a dizzy spell over in the final package). Such a huge learning curve! That packaged ID file was a hefty lump of over 4GB of data.

I’ve mentioned my health issues here before. I could not have completed this work without the help of my husband John Austin, who did the majority of my scanning and digital tidying. Computer work (any work) can leave my arm muscles very sore, so this meant that arm energy could be used solely for completing the hand-rendered artwork. I’m extremely grateful for his help, otherwise it might have taken another year, and I was already pushing myself to get things finished as it was.

I’m also grateful to one or two friends who’ve taken the time to read it and put my mind at rest about general brow-furrowing I’ve developed since the realisation of it being real!COVER_Couple_ChartBlueBG_redcrosses_darkerchart

I feel honoured that my book will be joining the Myriad stable of graphic novelists, which houses many books that I admire – some written by people who have become friends and/or supportive colleagues. I’m looking forward to taking it out into the world and crossing paths more often with these talented folk.

In the meantime, I’m having some time off to rest properly, and to catch up with friends. I’ll also be starting HBOT treatment soon, which I hope will help my ME/ Fibromyalgia symptoms. Some people have had good results, and I’ve wanted to try it for some time, but it requires a whole month of daily treatment. I’m hoping to do a HBOT diary with drawings and notes, but I’ll have to see how it goes, and whether it will be possible to draw while tooled up in an oxygen chamber with others who might not want to be drawn!

For more regular updates from my studio, please follow my Instagram account: @paulajkstudio

New picture books!

I received the most exciting long-awaited parcel from my agent yesterday – my first two children’s picture books as author. I immediately made a cuppa and sat down to read them – twice – being very careful not to spill the cuppa! Although I’ve illustrated numerous children’s books over the years, this felt like an achievement because I’d been writing for eight years before I had any manuscripts accepted, signing the contracts almost 18 months ago. This isn’t an unusual scenario among children’s writers by any means.

The titles are by Australian publisher, Hinkler Books /Bonney Press (imprint):

Roble’s Rain Dance illustrated by Gavin Scott: A thirst-quenching quest in a drought-stricken desert. ‘Roble’ is a Somali name meaning ‘born during the rainy season’.

It Takes Two to T’wit Two illustrated by Guiliano Ferri: A lonely owl searches for a T’woo to complement her T’wit.

I’m thrilled with the illustrations – this is the first time I’ve seen them all together, although I saw some roughs for Roble’s Rain Dance earlier this year. My agent sent through one or two jpegs of finished artwork throughout the year and it was amazing to see the characters that I had written spring to life. This was especially fascinating for me, having been involved in the creative process of other books as a children’s illustrator myself. As in all children’s picture books, a good chunk of storytelling happens in the pictures rather than the text, so it was important for certain visual elements to be in the right place.

I’ll follow this up with an individual blog post for each title describing the inspiration behind the stories and perhaps one about the route I took to getting published.

I think they are listed on some Australian bookselling sites, and some Amazon sites (as ‘unavailable’ at present). I’m hoping to get hold of some copies to sell myself so watch this space…

A finalist’s front-row view – Judging a Graphic Novel

Last weekend I attended the First Fictions Festival in Brighton for the ‘Judging a Graphic Novel’ event in which I was a finalist. The judging panel consisted of Ian Rankin, Hannah Berry, Bryan Talbot, Corinne Pearlman (Myriad Editions), Ed Hillyer and Steve Bell (Guardian cartoonist), who was away on holiday. Gareth Brookes’ The Black Project won – a deserving winner. I love the look of embroidery used in such an innovative way, and the story is original too.

The week or so before the event, Corinne Pearlman asked if we would be willing to read some pages from our entries, and a couple of days beforehand we discovered that we would also take questions from the panel of judges… in front of a paying audience. The pressure was on!

Paul Gravett, who was sporting a rather fetching yellow comic-themed shirt, chaired the event. Us finalists had to sit on the front row of the lecture theatre within spitting distance of the judges. We didn’t spit on them, nor they on us, but I could see the very whites of their eyes and they could probably smell our fear. It was quite nerve-wracking but exciting.

It was good to meet the other finalists and to hear more about their book proposals: Tom Eglington, Hannah Eaton, Dylan Shipley & Adam Blackman, and Con Chrysoulis. My friend, Thom Ferrier, was also a finalist so I was already acquainted with his work. It was a shame that Gareth Brookes couldn’t make it, being on a different hemisphere, but he’d sent a representative to read his entry. I sat between the two T/homs and introduced myself to Tom Eglington by asking if he’d drawn his plane crash page from life… ah well.

The judges suggested that all of the shortlisted entries were publishable and they stressed what a gargantuan task they had in whittling things down to a longlist, let alone a shortlist or winner. Each judge had slightly different concerns: Ed Hillyer was interested in whether the text was physically readable; Ian Rankin was searching for a satisfactory narrative; Corinne Pearlman didn’t want anything too set in stone; and Steve Bell was checking if artists could draw – hands in particular.

My presentation seemed to garner a good response – the audience laughed in all the right places and it was rewarding to experience that. It was a chance for me to show that I intend part of my book to include elements of humour despite tackling a tricky subject matter. I was happy to discover that my attempts at humour so far (apart from what I said to Tom) aren’t in vain. So, it was a worthwhile exercise in that respect – thank you, kind audience!

I took along How a Baby is Made, the book I cite in my story, The Facts of Life, and the one that taught me all the mechanics! It was great to find that one of the event’s sponsors used to be a bookseller who stocked that very title. Julia Cameron (The Artist’s Way) might call this ‘synchronicity’.

We enjoyed a much welcome post-event glass of fizz, and apple tart served on First Fictions flyers in absence of plates – novel! Later, I also attended Bryan and Mary Talbot’s talk about their soon-to-be-launched collaboration, Dotter of Her Father’s Eyes.

All in all, the whole experience has been positive: I came away from the weekend with greater confidence in my work, feeling galvanized to further develop it. I’m sure the other finalists will agree that writing and drawing a graphic novel is a task which requires much time and dedication; I hope they all feel that it’s worth it because I can’t wait to read their books when they come to fruition.

First Fictions/ Myriad Editions First Graphic Novel Competition Shortlist

Panel from The Facts of Life

The shortlist for Myriad Editions’ First Graphic Novel Competition was announced on Monday. I’m over the moon to be able to say that I’m one of the seven shortlisted entries with my graphic memoir-in-progress The Facts of Life. I’m in good company too, along with friend and comics creator Thom Ferrier, whose entry The Enlightenment of Iwan James is also shortlisted.

There were over 70 entries judged by Bryan Talbot, Ian Rankin, Steve Bell, Ed Hillyer, Hannah Berry and Corinne Pearlman.

The winning graphic novel will be announced on 21st Jan 2012 at the First Fictions Festival in Brighton.