It Takes Two to T’wit T’woo on CBeebies!

On Thursday I was very excited to discover that my children’s picture book It Takes Two to T’wit Twoo was read on the BBC children’s programme Cbeebies Bedtime Story, by Isla Fisher. It was a complete surprise – my cousin told me about it when she was watching with her daughter. It’s still available on iPlayer and you can see it here for the next 27 days. I love the way they’ve added sound effects and animated some of the illustrations (by Guiliano Ferri).

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The book was published in 2012 after being signed by Hinkler Books in 2010 for their Bonney Press series of picture books. It was the first time I’d been published as an author, and they signed two of my stories at once, the other being Robles’ Rain Dancewhich I’d written several years before.

The inspiration for the story came indirectly from another BBC programme  –Springwatch. Myself and a fellow bird-loving friend were discussing having seen an episode about how tawny owls call to one another. They explained that ‘t’wit t’woo’ is actually the sound of two separate owls, not one. On the way home, my husband and I were engaging in some motorway boredom banter, and I said: ‘It takes two to t’wit t’woo’, and the title had presented itself. I’m always on the lookout for potential titles, and many have come from daft casual conversations and a tendency to mess around with words.

The male owl in my book is called Albert, named after my grandfather who died when I was six. I don’t remember much about him other than that he always had a bad chest, and held the teapot very high when pouring a cup of Yorkshire tea. He came from Fulham, and rumour has it that he once played for Charlton Athletic. Football didn’t pay enough, so he became a heating engineer and moved to the Northeast where he met my gran at a Labour Party rally in Darlington. So, if you’re reading the book aloud, a cockney accent will do very nicely for the twoo-ing and a Teeside accent for the twit-ing.

Sadly, I’ve never heard ‘t’wit tw’oo’ all at once in the wild myself, mostly only a t’woo. That must have been an Albert searching for an Olive, who was too far away for me to hear.

FINISHED! Graphic memoir update

FINISHED! Work on my graphic memoir, The Facts of Life, is now complete, and the file is in the safe hands of my editor, Corinne Pearlman of Myriad Editions. She has been finalising work on the book jacket and getting it all ready for printing. The book will be published by Myriad Editions on March 16th 2017. I’m very excited about jacket quotes and reviews that I’ve had so far – from some excellent authors whom I’ve admired for many years! It’s six years since I started work on this book, and ten years since I first had the idea, so it feels incredible to have finished at last.

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There has been much toing and froing in recent weeks with the copy-edit, book jacket, and mysterious missing speech bubbles, which had fallen foul of the digital ether (i.e. mistakenly overwritten files that InDesign had a dizzy spell over in the final package). Such a huge learning curve! That packaged ID file was a hefty lump of over 4GB of data.

I’ve mentioned my health issues here before. I could not have completed this work without the help of my husband John Austin, who did the majority of my scanning and digital tidying. Computer work (any work) can leave my arm muscles very sore, so this meant that arm energy could be used solely for completing the hand-rendered artwork. I’m extremely grateful for his help, otherwise it might have taken another year, and I was already pushing myself to get things finished as it was.

I’m also grateful to one or two friends who’ve taken the time to read it and put my mind at rest about general brow-furrowing I’ve developed since the realisation of it being real!COVER_Couple_ChartBlueBG_redcrosses_darkerchart

I feel honoured that my book will be joining the Myriad stable of graphic novelists, which houses many books that I admire – some written by people who have become friends and/or supportive colleagues. I’m looking forward to taking it out into the world and crossing paths more often with these talented folk.

In the meantime, I’m having some time off to rest properly, and to catch up with friends. I’ll also be starting HBOT treatment soon, which I hope will help my ME/ Fibromyalgia symptoms. Some people have had good results, and I’ve wanted to try it for some time, but it requires a whole month of daily treatment. I’m hoping to do a HBOT diary with drawings and notes, but I’ll have to see how it goes, and whether it will be possible to draw while tooled up in an oxygen chamber with others who might not want to be drawn!

For more regular updates from my studio, please follow my Instagram account: @paulajkstudio

New picture books!

I received the most exciting long-awaited parcel from my agent yesterday – my first two children’s picture books as author. I immediately made a cuppa and sat down to read them – twice – being very careful not to spill the cuppa! Although I’ve illustrated numerous children’s books over the years, this felt like an achievement because I’d been writing for eight years before I had any manuscripts accepted, signing the contracts almost 18 months ago. This isn’t an unusual scenario among children’s writers by any means.

The titles are by Australian publisher, Hinkler Books /Bonney Press (imprint):

Roble’s Rain Dance illustrated by Gavin Scott: A thirst-quenching quest in a drought-stricken desert. ‘Roble’ is a Somali name meaning ‘born during the rainy season’.

It Takes Two to T’wit Two illustrated by Guiliano Ferri: A lonely owl searches for a T’woo to complement her T’wit.

I’m thrilled with the illustrations – this is the first time I’ve seen them all together, although I saw some roughs for Roble’s Rain Dance earlier this year. My agent sent through one or two jpegs of finished artwork throughout the year and it was amazing to see the characters that I had written spring to life. This was especially fascinating for me, having been involved in the creative process of other books as a children’s illustrator myself. As in all children’s picture books, a good chunk of storytelling happens in the pictures rather than the text, so it was important for certain visual elements to be in the right place.

I’ll follow this up with an individual blog post for each title describing the inspiration behind the stories and perhaps one about the route I took to getting published.

I think they are listed on some Australian bookselling sites, and some Amazon sites (as ‘unavailable’ at present). I’m hoping to get hold of some copies to sell myself so watch this space…

A finalist’s front-row view – Judging a Graphic Novel

Last weekend I attended the First Fictions Festival in Brighton for the ‘Judging a Graphic Novel’ event in which I was a finalist. The judging panel consisted of Ian Rankin, Hannah Berry, Bryan Talbot, Corinne Pearlman (Myriad Editions), Ed Hillyer and Steve Bell (Guardian cartoonist), who was away on holiday. Gareth Brookes’ The Black Project won – a deserving winner. I love the look of embroidery used in such an innovative way, and the story is original too.

The week or so before the event, Corinne Pearlman asked if we would be willing to read some pages from our entries, and a couple of days beforehand we discovered that we would also take questions from the panel of judges… in front of a paying audience. The pressure was on!

Paul Gravett, who was sporting a rather fetching yellow comic-themed shirt, chaired the event. Us finalists had to sit on the front row of the lecture theatre within spitting distance of the judges. We didn’t spit on them, nor they on us, but I could see the very whites of their eyes and they could probably smell our fear. It was quite nerve-wracking but exciting.

It was good to meet the other finalists and to hear more about their book proposals: Tom Eglington, Hannah Eaton, Dylan Shipley & Adam Blackman, and Con Chrysoulis. My friend, Thom Ferrier, was also a finalist so I was already acquainted with his work. It was a shame that Gareth Brookes couldn’t make it, being on a different hemisphere, but he’d sent a representative to read his entry. I sat between the two T/homs and introduced myself to Tom Eglington by asking if he’d drawn his plane crash page from life… ah well.

The judges suggested that all of the shortlisted entries were publishable and they stressed what a gargantuan task they had in whittling things down to a longlist, let alone a shortlist or winner. Each judge had slightly different concerns: Ed Hillyer was interested in whether the text was physically readable; Ian Rankin was searching for a satisfactory narrative; Corinne Pearlman didn’t want anything too set in stone; and Steve Bell was checking if artists could draw – hands in particular.

My presentation seemed to garner a good response – the audience laughed in all the right places and it was rewarding to experience that. It was a chance for me to show that I intend part of my book to include elements of humour despite tackling a tricky subject matter. I was happy to discover that my attempts at humour so far (apart from what I said to Tom) aren’t in vain. So, it was a worthwhile exercise in that respect – thank you, kind audience!

I took along How a Baby is Made, the book I cite in my story, The Facts of Life, and the one that taught me all the mechanics! It was great to find that one of the event’s sponsors used to be a bookseller who stocked that very title. Julia Cameron (The Artist’s Way) might call this ‘synchronicity’.

We enjoyed a much welcome post-event glass of fizz, and apple tart served on First Fictions flyers in absence of plates – novel! Later, I also attended Bryan and Mary Talbot’s talk about their soon-to-be-launched collaboration, Dotter of Her Father’s Eyes.

All in all, the whole experience has been positive: I came away from the weekend with greater confidence in my work, feeling galvanized to further develop it. I’m sure the other finalists will agree that writing and drawing a graphic novel is a task which requires much time and dedication; I hope they all feel that it’s worth it because I can’t wait to read their books when they come to fruition.

First Fictions/ Myriad Editions First Graphic Novel Competition Shortlist

Panel from The Facts of Life

The shortlist for Myriad Editions’ First Graphic Novel Competition was announced on Monday. I’m over the moon to be able to say that I’m one of the seven shortlisted entries with my graphic memoir-in-progress The Facts of Life. I’m in good company too, along with friend and comics creator Thom Ferrier, whose entry The Enlightenment of Iwan James is also shortlisted.

There were over 70 entries judged by Bryan Talbot, Ian Rankin, Steve Bell, Ed Hillyer, Hannah Berry and Corinne Pearlman.

The winning graphic novel will be announced on 21st Jan 2012 at the First Fictions Festival in Brighton.