Pregnancy test comic

Click to view gallery. The numbers relate to actual blood hCG (human chorionic gonadotropin) readings taken from a notebook I was keeping at the time. I hope to use something like p2 in my graphic memoir. Page 2 is the original drawing I used to trace p1.

I considered using other text such as: Shall we watch Curb Your Enthusiasm again tonight? Coz it helps. Or: Once, twice, three times a lady not having a baby (bit cheesy). But it was mainly about drawing itself: giving the lost,  the thing that never came to fruition, some permanence by drawing it.

Thinking about it – this is something I’ve done in the past. As a lovelorn teenager dealing with unrequited love, I would draw the object of my affection – perhaps my way of ‘having’ something of them in the absence of ‘having’ them – or the only tangible way to express secret feelings!  This must surely be a common occurrence with artists – sometimes obvious in their work – where secrets are hidden behind seemingly fictional characters.

Here are the pages bigger in case the gallery is too small (click to view larger).

Once a collection of lines p1

Once a collection of lines p2

How a Baby is Made

To celebrate my invitation to join the Mumsnet Bloggers network, I thought I’d share the first incarnation of my graphic memoir in progress, The Facts of Life.

I drew How a Baby is Made  in 2007,  a few years before the story was over and I could begin writing it properly. This was really my first attempt at a comic strip. I entered it for the Observer/ Cape Graphic Short Story Prize in 2007, the competition’s first year. It was always intended as part of a larger story, but I needed a deadline!

It’s frightening to think that I started this project such a long time ago. Between 2007 and 2010 I kept a card index file of memories and relevant thoughts. In 2008 I was ‘diagnosed’ with ME/CFS so that put a spanner in the works for a while.

I eventually, and tentatively, gave this its first public airing at Laydeez do Comics in May 2011, where the encouragement was such that it spurred me on to get stuck in.

Click 1st image then spool through gallery to read whole strip:

Although I’ve been vexing over how long it’s taking me, in a way I’m glad. Over those intervening years I’ve learnt such a lot – not only about comics but also about accepting my limitations due to my health, and accepting that the baby thing wasn’t ever going to happen. This time lapse has also given me the chance to re-evaluate and become more acquainted with where I want to go creatively – something I lost a grasp of while I was ill.

Looking back at old work can be thoroughly excruciating: ‘Yikes – what was I thinking?’  But the exercise has its uses. For example, I won’t be drawing wings on babies, and things will be altogether less twee stylistically. It’s not that I don’t like this at all – I appreciate it because it’s a marker of how far I’ve come with the project despite thinking it’s not far enough! And it’s almost like a diary entry too – it reminds me of how far I’ve moved on in life and how relieved I feel not to be in the middle of those tricky few years.

You could say that this was the conception of my project and now it’s reaching its acne-ridden angsty teenage years. Now, I realise that people might think that my ‘book’ has become my ‘baby’ but watch this space – I intend to write all about that knotty notion in a future post.

Spooky Womb comic

My first printed comic, Spooky Womb (A true-ish uterine tale), is back from the printer. I’m just hand colouring the covers. I’ll be taking it to Comica Comiket on November 10th which takes place at The Bishopsgate Institute, London. After that, I’ll make it available online.

The grey covers have hand coloured elements – painted whites of eyes and rosy cheeks (Karisma pencil ‘Scarlet Lake’). The cover paper came from a local recycled paper wholesaler, only a ten-minute walk from my house. The comic is printed on 100% recycled stock.

I knew I wouldn’t be quite so busy with paid freelance work in October, so I gave myself last month to write, draw and get a comic printed – with a Halloween deadline (I made it but the printer didn’t!) And I had to get the whole ‘anthropomorphising a uterus’ thing out of my system. It’s been quite a learning curve but one I wanted to get on, so I could take part in comics fairs etc.

Spooky Womb is a short autobiographical 10-page spin-off from my work in progress, The Facts of Life. The story isn’t all that spooky in reality. ‘Spooky’ in this context refers to the nature of our bodies, which can behave in unexpected, mysterious and hidden ways that we can’t necessarily control, especially hormonally.

It was a good exercise in sorting out how to draw myself for the graphic memoir – something I’ve been struggling over. Still not sure I’ve cracked it, especially continuity-wise, but it’s getting closer to what I want. A friend once said that I draw ‘lollipop heads’ i.e. out of proportion (too big) with the rest of the body. It was an observation rather than a criticism but it’s something I’m trying to avoid. Some illustrators do this on purpose to achieve a ‘cute’ style. For me, it’s probably a habit formed from years in children’s illustration where head-to-body ratio is smaller (children’s heads being larger in pro to the rest of their bodies than adults’ heads are).

Anyway, I’m pretty pleased with the comic but plenty learnt for next time! After Comiket, I’ll be getting down to The Facts of Life again, so to speak.

Lost Lady of Penwith

I did these roughs for a comic, in my sketchbook, about an affecting episode that happened last week. I wanted to draw this from from memory with no reference materials. I’ve changed some names and details to protect the identity of the main character (I hope): [click to view more clearly]

I felt it was too intrusive to ask what was wrong with ‘Diana’. But I presumed (perhaps wrongly) that it was a form of Dementia or Alzheimers. Diana might have been quite happy, so perhaps my sadness was some sort of personal projection onto the situation.

Afterwards we went to Porthcurno and saw dolphins; I felt thankful for my own lucidity and relative good health. Not sure if I’ll go on to ink this up – just wanted to share it.

Childless or child-free?

Click to view:

There are supportive communities online for those who are childless by circumstance and for those who are childless by choice. I’ve never felt that I can totally identify myself with either label.

I’m not keen on any term that defines you by what you are not. It seems rather negative. There has been much discussion about this topic on Gateway Women, a site conceived by Jody Day to bring together, and celebrate, women who don’t have children for whatever reason. She coined the term ‘nomo’ (not a mother). Again, the term certainly isn’t for me for the reasons stated above, but the site has some interesting articles and is a good place to go if you’re seeking solidarity with others in a similar situation.

In short, people who didn’t procreate shouldn’t have to be defined by that very fact. However, and all too often, women of my age are.

My first comic

This was the first (and only so far) comic I made. It was a 40th birthday ‘card’ for John Austin, which I drew back in 2008. I just ripped some pages out of a sketch book, drew on them and then tried to sew them together, but it didn’t work so I stapled them instead (hence holes in spine). I didn’t ever get round to inking it all.

There’s not much of a narrative – it’s based on memories told to me by his family and friends. It features a certain notorious incident about crossing the Canadian Border on tour with the band Beatnik Filmstars when they were supporting Superchunk sometime in the late ’90s.

I was reading all of Jeffery Brown‘s books at the time I drew it – you can probably tell in parts. I was on quite a learning curve wrt drawing comics, one which I took up again last year. I also overused the ellipsis, a thing I try not to do now.