Graphic Medicine podcast

Last year, I presented my work at Ethics Under Cover: Comics, Medicine and Society (4th International Conference on Comics and Medicine). I spoke on a panel named ‘Who’s Story is it?’ alongside Peaco Todd, Linda Raphael and Mita Mahato. Here is a link to the podcast (mine is second on the recording): Graphic Medicine Podcast: Brighton Panel 4A mytalk_Comicsmedicine4_brighton _UniSussex.

My talk was titled ‘In or Out: Considering the impact on others of writing and sharing graphic memoir’. I spoke about my work in progress in relation to the responsibility for secondary characters’ stories in memoir (those who have not asked to be in a book), especially where medical details are involved. I also spoke about my other comics about fertility, miscarriage and childlessness and the response to sharing that personal work on social networking sites between 2011 and 2013.

The conference provided a generous portion of brain food, and I heartily recommend creators with medical/ health themes to their work to attend, or propose a paper to, future conferences. Also, do check out the Graphic Medicine Podcast archive where you will find interviews and talks by many talented comics creators and academics whose work reflects the ‘interaction between the medium of comics and the discourse of healthcare.’ (Graphic Medicine website quote).

This panel took place first thing on a Sunday morning, so I’m sure those delegates who were still wisely tucked up in bed will welcome the chance to hear it. Although I’m still not sure how anyone ever sleeps in Brighton with those tireless over-enthusiastic seagulls.

Fun Fun Funding

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I’m happy to announce that in March of this year, Arts Council England awarded me a grant (Grants for the Arts) to support the completion stage of my graphic memoir, The Facts of Life, which will be published by Myriad Editions.

The grant will provide funding for the artwork stage of my book: It will cover materials I need to carry out the final artwork, a mentor for the duration (Hannah Berry), frames for an exhibition, and attendance at some comics events after the book is published. It also means that I can now set aside other freelance work and focus solely on the book for the next year. I feel very grateful, and fortunate to be doing this work.

Today is the start of my grant period – in celebration of this, here is an almost-complete page (it needs some more seagulls in panel three!) My sketchbooks from the last ten years are coming in handy now – the people on the beach are lifted from them – some from sketches I did on the very beach that this page depicts! Two-hundred-and-twenty more pages to go:

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Thanks to the following people for their statements of support for my application, sage nuggets of advice, and support in kind: Corinne Pearlman, Hannah Berry, Bryan TalbotDavid Gaffney, Matthew Roche, Katy GreenRavi Thornton, Nicola Streeten; and John Austin.

 

The Phoenix Project: Surviving Cancer

Last year, I was commissioned to create a comic as part of The Phoenix Project: Surviving Cancer, a research project based between the Royal Hallamshire Hospital and the University of Sheffield. Five other comics artists familiar with Graphic Medicine contributed work, including Mita Mahato and Andrew Godfrey – although we didn’t immediately know who else was involved. They can all be seen here.

The project began by looking at issues surrounding cancer, sexuality and relationships. The project team interviewed cancer survivors, asking them about their experiences. Excerpts from these interviews were then given to artists recruited from the graphic medicine community. We showed the resulting images back to the participants and assessed how they addressed their concerns. This work is vital because completing treatment is not the end of a cancer patient’s story: many are traumatised and vulnerable to further medical complications and a host of other concerns. Little is done to address these issues because cancer research focuses on treatment and prevention. These powerful, provocative and moving images have helped survivors come to terms with how cancer has effected their relationships and sex lives. There are many other issues that patients need support with. The Phoenix Project aims to use visual and digital means to address them by developing an holistic package of care, available to all.

(from The Phoenix Project website)

Here is the first page of my response to the brief. The rest can be seen here. PaulaKnight_Phoenix_Normal_p1

The interviews were provided to us as written transcripts, which I personally found challenging to interpret without meeting the people myself. I wonder how much was lost in translation or how much, as an artist, I could have gained in understanding and empathy had I been present at the interviews. Logistically, and for confidentiality reasons, this probably wouldn’t have been possible.

I hope I’ve grasped the right end of the stick with regards to characterisation, for example. I feel that without meeting the people, perhaps there is too much room to subconsciously project self into the interpretation. And, is this a bad thing or a good thing? I might have detected hints of humour in the dialogue of my chosen patient, because that is how I often deal with difficulty myself, and then projected that onto the unseen patient. Indeed, that might also be why I chose to concentrate on that particular patient for the work.

With that in mind, I must point out that I’ve never swung from a chandelier in my life – not for sexual purposes nor to transport myself from one side of a room to another. I doubt the patient has either; it’s meant to make a point – and to provide a little humour and irony when situated with the title ‘Normal?’. And, humour can help with affiliation according to Elizabeth El Refaie, author of Autobiographical Comics: Life Writing in Pictures.

My own project is autobiographical with a medical theme, so it was interesting to concurrently tackle biographical work with a medical theme – especially with regards to the confidentiality issue since my story also includes others’ medical narratives.

We have yet to be informed of the patients’ responses to the work, and I am quite nervous, but intrigued, about the prospect of this.

Synchronicity at Bristol Comic and Zine Fair

Yesterday I exhibited at Bristol Comic and Zine Fair, very-well organised by the Bearpit Zines people. It was a marvellous day, although I now have a sore throat – probably from six hours’ over-table chat, or perhaps from being a self-employed homeworker undergoing unusually prolonged exposure to public germs.

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A while ago I made a one-page comic using my cytogenetic report from a Bristol lab – it was part of a bank of NHS fertility tests myself and my husband underwent (this one to make sure that we were indeed male and female). It forms the centre spread of my collection X Utero, which I was selling at the fair. What’s synchronicity got to do with it? Well, one lady (pictured below) stopped to study that particular page in great depth and announced that she had recently secured a job at the very lab where my test was done (the address is on the comic/ report). She performs chromosomal analysis tests – there! What are the chances of that? A chromosomal analysis tester (I don’t know her exact job description) going to a comics fair and finding a comic made from a report produced at her workplace. She bought a copy!

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It’s the second-best incidence of synchronicity I’ve had so far – up there with meeting the American poet Robert Chrisman (who knew Maya Angleou) on a train-bus going to York, while I had Maya Angelou’s latest book right there in my bag. Synchronicity was first described by Carl Jung but I read about it in The Artist’s Way by Julia Cameron. She advises noticing synchronicity to help you to feel that you’re doing something right, in the right place at the right time. The idea borders on being slightly too mystical but it feels good when it happens – and that’s OK with me. Most people call it coincidence! Anyway – I guess you had to be there…

Here are some more photos from the comics fair:

Comics from Brighton and Bristol to the Lakes!

A long-overdue catch-up post:

Upcoming comics events

Next weekend, I’ll be tabling at Bristol Comic and Zine Fair, organised by the lovely folk from Bearpit Zines. There are 40 exhibitors – some from Bristol; some from beyond – it promises to be a fantastic day. I’m especially excited to see that Gareth Brookes will be there with his graphic novel The Black Project out from Myriad Editions (my publisher-to-be). I’ll certainly be buying a copy. Gareth was the winner of Myriad’s First Graphic Novel competition in which I was shortlisted with The Facts of Life.

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Then, on 18th October, I’m off to the inaugural Lakes International Comic Art Festival where I’ll have a table in the Comics Clock Tower sharing with Ian Williams (Graphic Medicine man). On the Saturday night I’m taking part in Quick Strips – Myriad Authors and Friends, where it is suggested that we will be ‘revealing all’. I’m hoping that this means a 6-minute presentation of work in progress! It will be my first time as a guest at a comics festival.

I’ll be taking Spooky Womb, X Utero, and a newly repackaged non-limited edition version of A Fray, along with some pages in progress from my book. If you can’t make it to these events, my latest comic X Utero is available in Blackwell’s at Wellcome bookshop and Orbital Comics. Or you can buy them direct from me.

Ethics Under Cover – Graphic Medicine conference

In July, I went to Brighton to present at Ethics Under Cover, Comics Medicine and Society (Graphic Medicine) on the panel Whose story is it? with Mita Mahato, Peaco Todd and Linda Raphael. I talked about the ethical considerations of secondary characters when writing memoir – especially if their stories also contain medical details. I felt that it went well personally (I sold all my comics) and our panel was well received. Podcasts from the conference are regularly uploaded here. It was lovely to catch up with old and new Graphic Medicine comics friends and spend time eating samosas(c/o Mita) on Brighton beach.

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In other news

As a result of contacts made at the Brighton conference, I was approached with an offer of some paid comics work, which I did over the summer. I can’t say much about it yet for confidentiality reasons, but I was happy to have been able to use my artistic skills in a way that might be useful to others in a healthcare setting.

I’ve also just received a contract for a new children’s picture book text (as author only). I wrote it earlier in the year and Bright Literary Agency have been representing it since May – so I’m please to have had this interest so soon.

I expect that’s just about enough for now – phew – worralorralinks!

Fairy princess cushion

I’m putting together a sketchbook zine with small drawings and comics made in my local park. This took place in the park but I drew it from ‘memory’ back at home.

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I think we all have a Fairy Princess Cushion in our lives, don’t we?