Comics from Brighton and Bristol to the Lakes!

A long-overdue catch-up post:

Upcoming comics events

Next weekend, I’ll be tabling at Bristol Comic and Zine Fair, organised by the lovely folk from Bearpit Zines. There are 40 exhibitors – some from Bristol; some from beyond – it promises to be a fantastic day. I’m especially excited to see that Gareth Brookes will be there with his graphic novel The Black Project out from Myriad Editions (my publisher-to-be). I’ll certainly be buying a copy. Gareth was the winner of Myriad’s First Graphic Novel competition in which I was shortlisted with The Facts of Life.

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Then, on 18th October, I’m off to the inaugural Lakes International Comic Art Festival where I’ll have a table in the Comics Clock Tower sharing with Ian Williams (Graphic Medicine man). On the Saturday night I’m taking part in Quick Strips – Myriad Authors and Friends, where it is suggested that we will be ‘revealing all’. I’m hoping that this means a 6-minute presentation of work in progress! It will be my first time as a guest at a comics festival.

I’ll be taking Spooky Womb, X Utero, and a newly repackaged non-limited edition version of A Fray, along with some pages in progress from my book. If you can’t make it to these events, my latest comic X Utero is available in Blackwell’s at Wellcome bookshop and Orbital Comics. Or you can buy them direct from me.

Ethics Under Cover – Graphic Medicine conference

In July, I went to Brighton to present at Ethics Under Cover, Comics Medicine and Society (Graphic Medicine) on the panel Whose story is it? with Mita Mahato, Peaco Todd and Linda Raphael. I talked about the ethical considerations of secondary characters when writing memoir – especially if their stories also contain medical details. I felt that it went well personally (I sold all my comics) and our panel was well received. Podcasts from the conference are regularly uploaded here. It was lovely to catch up with old and new Graphic Medicine comics friends and spend time eating samosas(c/o Mita) on Brighton beach.

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In other news

As a result of contacts made at the Brighton conference, I was approached with an offer of some paid comics work, which I did over the summer. I can’t say much about it yet for confidentiality reasons, but I was happy to have been able to use my artistic skills in a way that might be useful to others in a healthcare setting.

I’ve also just received a contract for a new children’s picture book text (as author only). I wrote it earlier in the year and Bright Literary Agency have been representing it since May – so I’m please to have had this interest so soon.

I expect that’s just about enough for now – phew – worralorralinks!

Starsky the Rainbow Trout

I wrote this at Cleveland College of Art & Design in Middlesbrough (1987-8) when I was studying for my Foundation Certificate. I made this book dummy as part of my response to a textiles module. The brief was to buy a whole fish from a fishmonger’s, which would serve as inspiration for the duration of the project. We had to draw and ‘get to know’ the fish – we kept them in the college fridge in between classes. The studio was ripe by the end of the module.

Starsky was executed in pencil crayons and inkpen (very 1980s – everyone wanted to be Raymond Briggs back then). I was a strict vegetarian at the time, and, although I eat fish now, I’ve never really fancied trout.

As a published picture book author, I would say to my young student-self:

  • Not bad for a first try at making a story book, but:
  • Avoid rhyming text for a first book; it makes translation of co-editions tricky, but if you must:
  • Try using a thesaurus to avoid lazy rhyming stanzas.
  • Learn some grammar and how to spell ‘fly’ and ‘embedded’.
  • Fish don’t ‘shout’ – they scream silently (in the same way an uprooted flower does). They don’t laugh either. Mainly, they glug.
  • Think about page turns – who was lurking on the bank? Make the reader want to turn the page to find out. Same goes for the very last line – it would be more dramatic if it had a page to itself at the end.
  • Don’t simply illustrate the words, drop some words and let the pictures do the talking, too.
  • Try for a more imaginative title – publishers aren’t keen on ‘Sammy the Squirrel’-type titles. How about Massacre in the River Tees* instead?

I got an good mark for that module, and the tutor tried to persuade me to apply for Textile Design at degree level, instead of Graphic Design. I don’t think textiles would have been my thing. Too stinky.

*joking, of course

New picture books!

I received the most exciting long-awaited parcel from my agent yesterday - my first two children’s picture books as author. I immediately made a cuppa and sat down to read them – twice – being very careful not to spill the cuppa! Although I’ve illustrated numerous children’s books over the years, this felt like an achievement because I’d been writing for eight years before I had any manuscripts accepted, signing the contracts almost 18 months ago. This isn’t an unusual scenario among children’s writers by any means.

The titles are by Australian publisher, Hinkler Books /Bonney Press (imprint):

Roble’s Rain Dance illustrated by Gavin Scott: A thirst-quenching quest in a drought-stricken desert. ‘Roble’ is a Somali name meaning ‘born during the rainy season’.

It Takes Two to T’wit Two illustrated by Guiliano Ferri: A lonely owl searches for a T’woo to complement her T’wit.

I’m thrilled with the illustrations – this is the first time I’ve seen them all together, although I saw some roughs for Roble’s Rain Dance earlier this year. My agent sent through one or two jpegs of finished artwork throughout the year and it was amazing to see the characters that I had written spring to life. This was especially fascinating for me, having been involved in the creative process of other books as a children’s illustrator myself. As in all children’s picture books, a good chunk of storytelling happens in the pictures rather than the text, so it was important for certain visual elements to be in the right place.

I’ll follow this up with an individual blog post for each title describing the inspiration behind the stories and perhaps one about the route I took to getting published.

I think they are listed on some Australian bookselling sites, and some Amazon sites (as ‘unavailable’ at present). I’m hoping to get hold of some copies to sell myself so watch this space…